This track invites papers that explore various theoretical frameworks in cinema studies, including but not limited to psychoanalysis, feminism, and post-colonialism. Participants will engage in discussions on how these theories shape our understanding of film as a cultural artifact.

This session focuses on the role of major film festivals in promoting cultural exchange and showcasing diverse cinematic voices. Papers may analyze the impact of festivals on filmmakers, audiences, and the global film industry.

This track examines the changing practices within the film industry, including production, distribution, and marketing strategies. Contributions will highlight how technological advancements and audience preferences have influenced these practices.

This session invites discussions on the art and craft of screenwriting, emphasizing innovative narrative structures and character development. Papers may also explore the relationship between screenwriters and other filmmaking roles.

This track addresses the historical development of television as a medium and its cultural implications. Participants are encouraged to examine how television reflects and shapes societal values and identities.

This session focuses on the complexities of adaptation from literature and other media to film. Papers will explore the challenges and creative processes involved in translating narratives across different formats.